But in that reservation it may be she went a little beyond the converse of his view. On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. Then it came to her with a shock, as an extraordinary oversight, that she could never tell Manning about Ramage—never. He could see lust virtually dripping from the dark-haired boy’s maw as she teased every last note from her shuddering violin, the devil in a black skirt. . . It was ended.
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